Irish author Banville wins international award
Irish author Banville wins international award
Irish writer John Banville recently won the Franz Kafka Prize for literature. This honor is awarded each year by the Prague-based Franz Kafka Society and it recognizes exceptional literary creation.
Banville, a native of Co. Wexford, is the eleventh writer to receive the award, which consists of a smaller version of the Prague monument to Kafka and a cash prize of $10,000.
The Irishman was chosen from a list of fifteen writers by the society which was established in 1989 shortly after the fall of communism. The aim of the group was to promote Kafkas works and awareness of other German and Jewish authors from Prague, drawing attention to their influence on subsequent literature. They are working to make Kafka's heritage a natural component of the Czech cultural context.
Banville told the Irish Times , Im thrilled of course and its a great honor to get this truly international prize. The list of past winners is very distinguished and Im glad to be listed amongst them I like to think of myself as an international author as well as an Irish author and I take this prize as a recognition of that fact.
Previous winners include English playwright Harold Pinter, American author Philip Roth, Japanese writer Haruki Murakami and the recipient of last years award, Czech writer and former president Václav Havel.
Banville also writes under the pseudonym Benjamin Black and has had 18 novels published, including The Sea , for which he won the 2005 Booker Prize.
John Banville The Sea - News
Irish writer John Banville recently won the Franz Kafka Prize for literature. This honor is awarded each year by the Prague-based Franz Kafka Society and it recognizes “exceptional literary creation.” Banville, a native of Co. Wexford, is the eleventh
Immediately after John Banville's The Sea won the Man Booker Prize, first editions of the book -- previously available for under €50 -- started changing hands for €200. When Francis Ford Coppola made a film of Bram Stoker's Dracula, first editions

Its voice is echoed today in writers such as Colm Tóibín, John Banville, Paul Bailey, Alan Hollinghurst. It's no surprise that the film director Losey adapted it and included it in his trilogy of radical works examining Englishness, class,
Literary lovers are in for a treat with the news that novelist John Banville will be in attendance. His breakthrough novel 'The Book of Evidence' was short listed for the Man Booker Prize, His eighteenth novel, The Sea, won the Man Booker Prize in 2005

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PowellsBooks.Blog – John Banville: The Powells.com Interview ...
Kleist's play is one of the great dramas of western literature. It's hardly known at all in the English-speaking world. In fact, Kleist is hardly known in the English-speaking world. Kleist, who died in the early 1800s, died very young, I believe at the age of 32. His ambition was to blend Greek drama with Shakespearean burlesque, which was quite a task, but he succeeded, I think, in Amphitryon . It's a very good play — wonderfully entertaining and a very dark comedy. It is a comedy of errors, in which Zeus comes to Earth because he has fallen in love with the wife of Amphitryon and spends the night with her in the form of Amphitryon, so she thinks it's her husband. The next day, Amphitryon himself comes back unexpectedly, and so there follows a wonderful comedy of errors. It's very dark, but a great piece of literature.
So I thought of modeling a novel on it. I was going to stick fairly closely to the drama, but of course fiction has its own rules and requires different methods. But Amphitryon The tone is lighter, I think, than in some of your previous works. At one point in the book, Hermes describes the gods as being playful, but not benign, which I thought actually described the tone of this book fairly well. How did you think about tone and voice in this book?
Banville: Yes, it is playful. I have always tried to avoid solemnity. I like to think I am serious, but never solemn. I think solemnity is the death of art. But yes, it is playful and it is lighter, I suppose. I didn't really see that until I'd finished the book and some people read it, and said, "This is quite funny and quite comic." I looked back over it and I thought back over it, and I realized that yes, it was. Frequently, an artist doesn't really know what he's doing. We stumble along in the darkness. There's a wonderful quote of Kafka 's, I wish I could remember it. It's something like, "I don't think as I speak; I don't speak as I write. I don't write as I should, and it all goes on in deepest darkness."
I wasn't intending to make a comedy or a tragedy. I preferred to make a book and that's what I did. It did, for some reason, come out more playful and, I like to think, funny. That's what I would like to give people. If people don't laugh, hopefully they smile very hard.
Jill: The point of view is interesting as well, and this may go to what you just said about not thinking too hard about it as you were writing it. It's in third person through several different characters, and then between first person with Hermes and then first person with Adam... and then it gets very blurry. I was wondering how you decided to structure the point of view in that way?
John Banville The Sea - Bookshelf
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John Banville: Biography from Answers.com
John Banville , Writer Born: 8 December 1945 Birthplace: Wexford, Ireland Best Known As: The Irish novelist who won the Booker Prize for The Sea John
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